SAVOY THEATRE. The Era 1908 July 18 71(3643):
15, col. 2 [unsigned review]
SAVOY THEATRE
Sir Joseph Porter, K.C.B. ... MR. C. H. WORKMAN
Captain Corcoran ...... MR. RUTLAND
BARRINGTON
Ralph Rackstraw .................. MR. HENRY
HERBERT
Dick Deadeye ................... MR. HENRY
A. LYTTON
Bill Bobstay ....................... MR. LEICESTER
TUNKS
Bob Becket ............................. MR. FRED
HEWETT
Josephine ................................. MISS
ELSIE SPAIN
Hebe ......................................... MISS
JESSIE ROSE
Little Buttercup .......................... MISS
LOUIE RENE
The revival of H.M.S. Pinafore at the Savoy
Theatre on Tuesday evening was one of those hearty, whole-souled successes
that does a manager good to attain. One is always a little anxious, in
the case of these revivals, lest the reproduction may not bear comparison
with the original performance; but with the Opera Comique cast distinctly
in one's memory, we may say with confidence that the performance of H.M.S.
Pinafore at the Savoy is in every respect equal, and in some superior,
to the 1878 one. It is satisfactory to find that few, if any, attempts
have been made to improve on the original performance. Here and there a
little new business has been introduced. Captain Corcoran's scorn for Sir
Joseph Porter's tyranny and impudence is less carefully concealed than
it was thirty years ago; and, if we mistake not, in 1878 Ralph Rackstraw
did not offer to shake hands with the First Lord after his expression of
equality. In consequence of his suffering from a cold, Mr. Barrington's
song to the moon at the beginning of the second act was omitted; and the
midshipmite does not suck his sugar-stick, but these are mere details.
There is little to be written at this date about
H.M.S.
Pinafore. At the time at which it was produced the English people were
undergoing a reaction against melodramatic sentimentalism, and the cynical
tone of the libretto was quite in sympathy with the general feeling. Apart
from its derision of patriotism, naval heroism, love in a cottage, and
civil treatment of sailors – some of the satire would have delighted Captain
Kettle¹ –
there is a vast amount of fun and humour which is general, and not special
or topical. The airs are so swinging and spirited that it is possible to
enjoy "For he is an Englishman" without troubling about the sting of the
sarcasm involved in the verses; and the burlesque of all the old-fashioned
stilted dialogue and the stock situations of melodrama, though not as telling
as it seemed to the last generation, is still productive of hearty merriment.The
general treatment by the artists is freer and less sardonic, and the singing
deserves the warmest and most enthusiastic praise.
[...]
As for Mr. Rutland Barrington, it can only be said that his Captain
Corcoran has grown riper and rounder in years; otherwise it is the same
inimitable performance as that of 1878. One could not wish it altered in
the smallest degree.
[...]
¹ A reference to Cutcliffe Hyne's "The adventures of Captain Kettle," serialised in Pearson's Magazine 1897 3 -1898 5. In these popular stories, Captain Owen Kettle was a gung-ho seafaring hero who was always smartly dressed, liked poetry and whose favourite song was "From Greenland's Icy Mountains" - the Biggles, James Bond or Indiana Jones of the 1890s ?? [BACK]
transcribed by Helga J. Perry, 14 November 2001
Updated 18 March 2007